Carla O’Connor Workshop, Day 4, Thursday, October 11, 2007 ~ Lubbock, TX ~ Art Blog

Nancy's 11 x 15 gouache on 140 hot press paper
Painted today in the workshop NFS

(This post is the fourth in a series about a workshop in Lubbock, Texas. Please read previous posts to get the full story).
Our last drawing day with the model and she was a cutie, a granddaughter of one of the members and enrolled at Texas Tech and who wouldn’t want to try and draw her. Carla grabs her timer and gets us going and then we hear her familiar, Change, Change. She can be a tyrant at 9:00 in the morning when you want to drink coffee and visit with your neighbor but she has her rules so we fall in line and wonder “Is this painting potential?” Again she stops us with “Gather around” for a mini demo on how to design the whole page. Today it was the design principle “Imagination” and most of us failed miserably when she gave us an assignment. Let it be a wake up call for us. She gave us a list of things to include in the drawing and most of us put them about in the same places with little imagination. She wanted Original ….something that no one else thought of. We did more sketches and set ups for a future painting with just a few marks on the page since we’d have the model for a short time she wanted us to get the information down and paint them on Friday. In the afternoon we painted and Carla circled the room answering questions and seeing if the students wanted any suggestions or help. At 4:00 workshop participants were invited to a WTSC’ members home, Gale Webb. We had a lovely time still talking art and eating lasagna provided by Orlando’s Italian. We were privileged to have some chat time with each other and Carla. Thank you, Gale and Jerry, for your hospitality. Gale will be giving a workshop in the Dallas/Fort Worth area in April 2008 for the SWS.
Lubbock has a great evening of art, music and food the first Friday of each month and it showcases local art. Maps are provided and free trolleys run and the event is free and open to the public. First Friday Art Trail runs year round on the first Friday of each month from 6-9 p.m.
November 10 and 11, 2007 there is an Artist Studio Tour planned. Pick up a map and catch a free ride on a Citibus and they will run continually in a loop. Plan to Take in the Local Color, the tour, and visit 9 participating studios, with 50 artists sharing studio space. There will be painting/drawing, ceramics, fiber, glass, gourds, jewelry, leather, metal, miniatures, mixed media, photography, and wood.

Lubbock is a happening place when it comes to art.
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http://artistfoodnetwork.blogspot.com/

http://canvasbycanvas.blogspot.com/
http://myspace.com/nancystandlee
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Eat Well ~ Paint Your Food ~ Laugh Often

Carla O’Connor Workshop, Day 3, Wednesday, October 10, 2007 ~ Lubbock, TX ~ Art Blog

CARLA'S DEMO TUES. EVE.

WIND TURBINES

NANCY'S START ON WED.

15 x 22 Above is Gouache on hot press watercolor paper. This is my start for today and will work on it more Thursday with Carla's help. (See previous posts this week about the workshop.) After taking a digital photo and placing it on my laptop it looks like the imaginary figures are little sunflower heads. That will never do. It is always helpful to look at your work on a computer screen and reversed and in a mirror.

To the right is a better photo of Carla's demo last night. We all enjoyed looking at it today and she calls these her Time Travelers.

We had more time to paint today. We had another good model and Carla did short impromptu demo paintings and drawing techniques when she saw that we needed some help. I heard this across the room today and it is so Texan and friendly. "If y'all need some more paper, just holler." There are friendly, nice people in the workshop.

Today we concentrated on the SCALE principle of design and we drew several sized drawings on watercolor paper with all heads at the same line to show scale. Carla gave us a realistic head demo and talked about drawing the feature placement.

Lubbock and the historic South Plains area

In 1540, Spanish explorer Captain Francisco Vasquez de Coronado brought an expedition to the South Plains and named the area Llano Estacado, or staked plains and found Indians, buffalo, antelope, prairie dogs and coyotes. In 1876, Lubbock County was re-named in honor of Texas Ranger and Confederate colonel, Thomas S. Lubbock.
For some readers not from Texas, they just have some great Texas city and town names in this area, such as Muleshoe, Levelland, Plainview, Post, Sweetwater, Brownfield, Meadow, and Idalou. Don’t you just love saying those names? Well, I grew up in De Leon and the way we say it, people are always asking “How do you spell that?”
I’ve posted a photo taken while driving the speed limit for sure, out my car window just snapping with one eye on the road, and shows these other worldly, another planet looking wind turbines. These use the wind resources and are available in the area and are reliable and efficient and you will find many wind farms while driving in this area – like 60,000 acres worth in Taylor and Nolan Counties where you’ll find the world’s largest wind farm. Texans really like to lay claim to the biggest and best and largest. We really can’t help it. It’s genetic. (Hee, hee, I think that means we beat California) and I the most I know about it is how to take a photo of the wind turbines.

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· Eat Well ~ Paint Your Food ~ Laugh Often

Carla O’Connor Workshop, Day 2, Tuesday, October 9, 2007 ~ Lubbock, TX ~ Art Blog

NANCY'S START TODAY ON 1/2 SHEET WATERCLOR PAPER

CARLA WORKING ON HER DEMO PAINTING

CARLA'S DEMO TONIGHT (will get a better photo Wed. as this was through the overhead mirror and colors are more muted and painting is reversed.)

The Carla O’Connor Workshop is being held at 511 Avenue K (Mac Davis Lane and Ave. K) at The Underwood Center for the Arts. There are multiple studios, visual art galleries, a theatre and a rehearsal hall. First Friday Art Trail includes a monthly evening of arts and entertainment in downtown Lubbock. This art campus was planned to reflect the traditions of Lubbock and to create future traditions. “Art is much less important than life, but what a poor life without it!” –Robert Motherwell

The West Texas Watercolor Society is sponsoring this workshop. This is my 3rd visit to Lubbock to take a workshop with them. They are a talented group and best of all they are super friendly and fun to paint with.

The class today was packed with Carla's activities and instructions for us. And TEXTURE was one of the design principles discussed today. We had an excellent new model from the WTWS group and began on time 9:00 with about 40 poses in quick succession again on the same piece of paper to get us loosened up. She gave us hints on drawing the figure, for example, tie an imaginary plumb line to the ear through the center of the body to get the weight distributed correctly. We did a practice sheet, then on a 1/2 sheet of watercolor a figure with every black type of marking device (pens, crayons, charcoal, inks) we had plus black, white and grey gouache. We could only use one tool until Carla called out "change" then we'd pick up another tool of our choice and begin drawing where we left off all the while creating texture on the page. After lunch, each participant presented a painting or two for a critique. Carla wanted to see what type of work each one of us was currently doing and we all benefitted from hearing her comments. During the composition discussion I got so sleepy I nearly feel out of my chair and the note taking trails off looking like a someone had flat lined on a tv medical show. (I will add that it was not Carla but my nearly 72 year old body about to revolt from the schedule I've made for it for the past 2 months). I keep telling it to hang with me till Thanksgiving and we'll be home free. We painted for about hour to hour and a half and I got started on a piece I'd drawn in the a.m. and that is the piece in the photo. I want to do more drawing on the layers and it was Carla's suggestion to keep the figure white in the center. I liked the piece until after the demo and saw Carla's Time Travelers and I took another look at mine and thought how sad it looked but then you give yourself a little pep talk..this is your first time trying her technique, you had fun, and you learned some new stuff..go for it.

The demo at 7:00 p.m. was as exciting as we'd hoped it would be. She came with her design drawn on a gold gessoed toned hot press watercolor paper and proceeded to show us how she applies the paint. Her painting looked great to us but she said it takes her weeks to complete. It was a copy of one she did for the dvd for Creative Catalyst. She said the biggest hurdle we face is getting enough paint on the paper. We all laughed when she said "I could lick all the paint off some of these paintings (from people not using enough paint) and not get sick". We get the idea. Be generous with the paint.
The meeting room for the WTWS class is surrounded by designer dresses covered with plastic. Upon closer inspection these clothes are from other decades and were purchased from a local high end store in Lubbock. Read about Margaret’s HERE.

From the time Margaret’s opened in 1946 at Boston and 26th until it closed in 1994 at Broadway and Avenue T, this unique landmark was Lubbock’s window into the world of couture fashion and much more.
In the decades before West Texans visited New York, Paris, or Rome , Margaret’s was their portal to clothing available only in major cities. Once the store moved to Broadway and Avenue T, Lubbock had an establishment that could have been plucked from the finest shopping areas in Dallas, Chicago, or Los Angeles.
On the walls are enlarged views of the hand-drawn images of the figures that appeared in the newspaper ads and clothes under plastic ready for a show. Some of the images can be seen in the photos taken this week.
Other interesting places to visit in Lubbock:

Buddy Holly Center
Celebrate the life and achievements of Lubbock’s son, Buddy Hollyand see his guitar, the Stratocaster, and famous glasses. The Center also has the Texas Musician Hall of Fame and the Lubbock Fine Arts Gallery.

Texas Tech
Lubbock is home to Texas Tech University, home to about 28,000 students and a public art program ranked among the nation’s 10 best.

American Wind Power Center

Museum houses more than 120 rare and fully restored windmills located on more than 28 acres in Yellow House Canyon.

I’ve just come from visiting wineries around Mendocino, California and found Texas has wineries located around Lubbock.
Llano Estacado Winery

Texas’ most award-wining winery. Most of the world-class grapes used by the winery are grown within a 100mile radius of Lubbock.

Cap Rock Winery

Pheasant Ridge Winery

La Diosa Cellars located in the Depot Entertainment District

Other blogs where I post:

· http://artistfoodnetwork.blogspot.com/
· http://canvasbycanvas.blogspot.com/
· http://myspace.com/nancystandlee
· TO VIEW MORE PAINTINGS OR PURCHASE: Go to Paypal on http://nancystandlee.blogspot.com/
· Eat Well ~ Paint Your Food ~ Laugh Often

Carla O'Connor Workshop, Day 1, October 8, 2007 ~ Lubbock, TX ~ Art Blog

Carla O'Connor

Nancy's first day effort 11 x 15 Seated Lady Watercolor and Gouache on Hot Press Paper

I am loving this first day of the Carla O’Connor Workshop. I put down my $50 deposit last year while in Lubbock for the George James workshop. I’d seen Carla’s work online and in art magazines, admired it, and decided if there was a way possible I wanted to take from her. It happened that it was back to back with the Robert Burridge in Mendocino, Ca. and I arrived home from that one Saturday afternoon, stayed up until 1:00 a.m. getting ready, and left Sunday for this one, but I’ve made it and didn’t fall asleep in class today.
I left Arlington about 8:30 a.m. Sunday and put on the cruise and drove like a mad woman to get unloaded and to the 3:00 demo which was about a five hour drive. I couldn’t help but compare the California twisty, turn signs I’d seen the previous week to the strait as an arrow ones I saw on Sunday. The most curved one was a slight curved arrow when the interstate narrowed down to one lane for road construction. The landscape didn’t change much from open land and ranches, with lots of oaks and mesquites, until after Abilene. On into west Texas, cotton was growing and oil wells began to pop into view. One farm had harvested the cotton and it was stacked and looked like giant loaves of bread with a silver covering over the tops. I made it with one gas stop, cheese crackers for lunch and not near enough coffee. I kept listening to country music and writing down possible painting titles from the lyrics.
Because of some miscommunication Carla didn’t make it on Sunday for the demo but we enjoyed one of the WTWS society member’s demo. Carla will demo Tuesday night instead. She is a delight. She said this was a first for her to miss a demo but as of late she’s been having some “firsts”…well, join the club.
Our class runs from 9-4 and is sponsored by the WTWS. They have a converted fire house for a meeting room and it is wonderful. We had a clothed model this morning in the center of the room and all of our tables were around the model stand in a circle and there was room enough for Carla to walk by for mini critiques. I would say this is one of Carla’s strengths. She gives a thorough explanation of the exercise and then is on the move constantly seeing each student’s work and speaking with them. She’d given us a handout about principles and elements of design and we tackled the first on the list today. It was all about SHAPES. She said, “I’ll give you about 10X more information than you can handle until another workshop with me next year”. I hope. I wish. She promises to tell a good “joke” after lunch to encourage people to get back on time. Carla says she is not a big colorist and likes grays and what do you expect as “I live in Seattle”.
She stressed to forget about the figure and look for shapes. I don’t think I did that very well during the painting session the last 1 ½ hours of the class, I see her my lady's arm needs more work. She told us not to pull it back to realism and I did and I'll try to follow directions better on Tuesday.
The first drawing exercise was something I’ve never done – short gesture drawing BUT we couldn’t change our sheet of paper. We kept working on that one sheet and overlapping the shapes. Finally, we changed sheets and drew some figures and divided it into 4 sections to look for possible figures for paintings. She cautions us to put your mark down with authority. We are creating the skeleton of the painting and you want your bones to be strong. I highlighted this statement after I didn’t do it “Resist the urge to make it REAL. Make a DESIGN.” We did exercises like the “raisin head”, no curved lines, “brain strain” and “dead body” and later we painted on quarter sheets in the afternoon.
After lunch, we had a group meeting to discuss some painting techniques with her admonition “All paint is the same, just different binders and use the fuzzy end of the stick”. All I can say is that Carla has certainly learned how to use the fuzzy end of the stick. Her palette is another story. Her arrangement was given by “I put reds on one end and blues on the other.” Yes, she’s a joy. She saved her old paint in the lid to use as a wonderful gray “Mother color” and she is not continually wiping it clean. Many of her paintings are done with a gold gesso ground on hot press paper. They have a beautiful glow. She prefers round brushes and less water for the gouache paints.
Creative Catalyst has made a dvd of her watercolor instruction but it is not available yet. You can always email them to be notified when it is available.

Other blogs where I post:

· http://artistfoodnetwork.blogspot.com
· http://canvasbycanvas.blogspot.com
· http://myspace.com/nancystandlee
· TO VIEW MORE PAINTINGS OR PURCHASE: Go to Paypal on http://nancystandlee.blogspot.com
· Eat Well ~ Paint Your Food ~ Laugh Often

Burridge Workshop, Day 5, October 5 ~Mendocino Art Center ~ Art Blog

Dancers
11x15 acrylic on gessoed paper
This was an end of the day exercise and I gave my girls some colorful clothes.

On the student slide show on the previous post, I’ve added two new students. Merry decided she would hold up her table cover as it was so attractive after her paint splatters. Marcia holds up her canvas painting and if you see it anywhere please let us know as when she got ready to pack up she couldn’t find it. Marcia, I do hope its safe at home with you now.

Oh, how we hate to pack up and leave on the last day of this wonderful experience: beautiful workshop in a beautiful setting. I planned to paint, but never got my brush wet on Day 5. We had a group meeting in the morning and Bob answered questions and gave advice on photographing work, getting into shows, copyright, signature, how to approach a gallery, framing, matting, marketing. He cautioned us to remember we’re not in the framing business, but in the painting business. His advice on matting got a big laugh when he said when he judges shows, one of the first things he does is look at the mat and if it looks like it’s been cut with a butter knife, out it goes. He complimented our group and said we’d been a good class and that boils down to not having to deal with a bunch of prima donnas. From the first day he wanted us to have a good attitude. This is not the time to paint your masterpiece but time to have fun experimenting with new techniques and soar outside our comfort zone. I beamed when he complimented my drawings as I don’t consider myself a good drawer. Now I’ll try even harder.
I’ve felt like I was in a protected art cocoon and didn’t hear a radio or turn on the TV all week. We left about 3:00 and took off towards Willits and Sacramento on California 20 and saw many of those twisty, curvy signs again telling drivers to stay within 10 to 25 MPH and “Slower traffic use turnouts”. I was still in a art haze until Williams and we stopped at a convenience store for a snack. Here was a fellow on a cell phone leaning over his truck engine trying to figure out what was wrong, Mothers with hungry children in line to pay for their fast food so now I’m forced back out into the real world dealing with everyday human problems, traffic, and flight schedules. Art hibernation has been complete with the exception of my must have email news from my Canvas by Canvas painting group.
Regrets? I would say there would be one. There are numerous galleries in each town and I didn’t have time to check out each one of them. Instead we drove south on Saturday after arriving, towards Mendocino and Point Arena and then Anderson Valley to the wineries. On Sunday called for a drive towards the redwoods, taller than any other living thing, so we could to see the country. We stayed at the Ebb Tide Lodge in Fort Bragg.


If some wanted a workshop break and they could walk into town for a quick lunch. Everyday was sunny with perfect temperate coastal weather and warm enough if you were sitting on the patio eating in the sun. Flower gardens and plants were blooming in this most picturesque of cities to entice us away from our day’s project.
If you ever travel this way, the Host airport hotel in Sacramento is right across the street from the airport. Friday evening after turning in our Budget rental, we grabbed a luggage cart and pushed it to our room to load it down Saturday. It was easy work from what could have been a daunting task for 2 seniors. Because I was afraid of having overweight baggage, one bag was 50 and one 51 pounds on the way out, we got a thrift store bag and loaded it up with art supplies. It is a challenge to fly and take an acrylic drawing/painting workshop, but Bob said “You don’t have to bring everything on the list”. Oh, you don’t understand, Bob. I want to bring everything on the list.
On the flight home in the early morning we saw the Grand Canyon and the first light dusting of snow on the mountains, then lots and lots of crop irrigation circles and I sketched some to use in a future painting. Good to be back in Texas and we got our bags loaded up and turned on a good country station looking for some Willie Nelson. Bob brings his “own” I pod music and plays it during painting and he tells us or maybe “warns” us to get prepared as “It’s my sandbox”. Oh, yes, a stop at a favorite barbecue café for some sliced brisket and sausage, beans, potato salad, and lots of iced tea for our nearly 90 degree day with hope of scattered showers.
All I want to do is go home and paint on some of the starts from the workshop but suitcases never made it in the house as I loaded them in the back of my Rav4 minus a few washables for a trip to Lubbock Texas the next day, Sunday, October 7, and a week at a Carla O’Connor workshop. I know. I know. But that's just how they were scheduled and I wanted to take both of them. I'll rest another day. More to follow.


Other blogs where I post:


http://artistfoodnetwork.blogspot.com/
http://canvasbycanvas.blogspot.com/
http://myspace.com/nancystandlee
TO VIEW MORE PAINTINGS OR PURCHASE: Go to Paypal on http://nancystandlee.blogspot.com
• Eat Well ~ Paint Your Food ~ Laugh Often

Burridge Workshop, Day 4, Thurs. ~ Student Slide Show ~ Oct. 4 ~ Art Blog

These are students who let me take a photo of them and a piece of their art work on Thursday during the Mendocino Art Center's class taught by Robert Burridge. (For more about this class see previous posts). A few naysayers said they were in a witness protection program or worked for the undercover branch of the FBI and couldn't have a photo appear on a web site.
It is Friday a.m. and after hearing stories about it being 90 in Dallas/Fort Worth maybe we'll try to bring some coolness back to TX. on Saturday. We won't have a model today (Friday) and it will be a time to work on these MANY stops and starts I've thrown under my table, in the suitcase by my work area or on boxes and chairs against the wall. At noon today we will see a slide show of Burridge's work which will inspire us to try even more. Bob says he'll stay there until 4:00 but I will have to pack up after lunch as we're facing at least a 4 hour drive over very, very twisty roads to Sacramento.
Bob demoed yesterday how to attach an acrylic on watercolor to canvas. He says nothing of his gets framed anymore as it will set the piece back 100 years. He gives details on his newsletter and you can search the newsletter for the information. His newsletter has now reached about 5,000 subscribers and I would recommend it to all as it contains some great information.

I found it interesting to step outside the studio onto the patio area and find wonderful memorial stones that made for good reading. One that I would like to know more about is the one for Wino Willie Boozefighters MC Teri Forkner. The Boozefighters are a motorcycle club and my son belongs to the Boozefighters in Fort Worth.

Hold MOUSE over slide for student's names.

Burridge Workshop, Day 3, Wednesday, Oct. 3 ~ Mendocino, Ca. ~ Art Blog

11x15 acrylic on gessoed watercolor paper

To read previous posts about this workshop click HERE.

There are approximately 22 excited, ready to work students in the Robert Burridge Figurative Class. On Wednesday, we had a female undraped model. We began with some 3 minute gestural drawings and then some 15 minute drawing/painting times. In the afternoon, we had two 45 minute sessions of drawing and painting. The models have my utmost respect as I marvel at how they can hold a pose for 45 minutes with only a short break. At times, they may need to be helped down if a limb has gone to sleep.
We’ve had some excellent models, but I have had very little experience with live model drawing and painting, but others have said how great these people have been. We have a beautiful, well lighted classroom but with the undraped class, we have to close the blinds and drape the doors for privacy.

Burridge quotes and admonitions for the day

1. Handouts included one on varnishing acrylic paintings and he gave us a demo on several paintings and on using a spray varnish for watercolor.


2. Pretty pictures are so boring. Don’t paint boring pictures.


3. Show the world something they have never seen before and “Paint something you have never done before”.


4. Complicated paintings are boring….SIMPLIFY.


5. He discussed and showed us the New Burridge Goof-Proof Color Wheel. I purchased 2. One for me and one to give as a drawing at the SWS meeting when I get back to Texas. I was awarded the Stepping Stone Award and that paid for my tuition to this workshop and I will bring back a surprise drawing for a SWS member.


6. Give yourself goofy assignments such as don’t use brushes today, only paper towels.


7. He discussed more on how his color wheel is set up and a demo on how to use it by painting with 4 colors and black and white.


8. Have your painting tell a story. Every painting is a metaphor. Stories fall into 2 categories – Romeo and Juliet or David and Goliath or a combination of the two.


9. He mentioned the “painting groove” we get in and once in, we can’t stop but the bad thing, once out of it, it’s difficult to get back in.


10. He discussed brushes and gave out a supply list for his materials. He does list some cheaper bristle brushes from the hardware store as some of his favorites along with the more expensive synthetics.

The weather has been ideal here this week – in the 50’s and 60’s in the day and low 40’s at night. I wear a light jacket and hat everywhere as the wind from the ocean can be brisk at times.

On Sunday, September 30, 2007, it was about 51 when we headed north toward the Avenue of the Giants (Avenueofthegiants.net) – home of some ancient redwoods. It was a 31 mile scenic drive of old highway 101 and an outstanding display of these giant trees, some as tall as a 30 story building. Mendy is the name we gave the GPS system in honor of Mendocino and Mendy needed a wake up call several times as she’d get lost in those tall, tall trees. We did see and touch a drive through tree and witnessed a smaller car drive through the opening. Our final destination was Scotia, one of the few company towns in California. It is a Pacific Lumber Company town that we’d wanted to eat at the Inn but looked like it had been closed for the season. Most of these towns were lumber towns and one, Westport, had 20,000 population in it’s heyday but now about 254.

I saw directional highway signs that are completely foreign to flat land Texans. One was a horseshoe shape and many said speed limit 10 or 25 miles along with those crooked signs and one that said “Narrow winding road next 22 miles”.

Along the coast tourists are warned about rogue waves or sneaker waves and not to get on the rocks as these sudden waves can sweep a person out to sea.

We got a snack at the Riverwood Inn in Phillipsville. The Riverwood Inn was built in 1937 and is the last of the old roadhouses that populated the Avenue of the Giants which also used to be Highway 101. I nearly let my purse fall out an open window about a story high when I set it on a window ledge and the window flew open. My new camera was inside and just considering the consequences makes my heart jump.

Later that evening we ate our dinner meal at Sharon’s by the Sea on the Noyo Harbor in Fort Bragg.

One of the west coast's most scenic harbors, Noyo Harbor is tucked into the forested hills at the south end of Fort Bragg. You may remember seeing Goldie Hawn and Kurt Russell sailing out of the harbor at the end of the movie Overboard. Noyo Harbor is your starting point for a day out on the ocean, whether it's on a fishing or whale watching charter, or paddling your own kayak.