Cheerful and Colorful Paintings

Cheerful and Colorful Paintings in Oil, Acrylic, Mixed Media and Collage

Tuesday, November 13, 2007

Arne Westerman Workshop ~ Day 2 ~ SWS

Tuesday at the Arne Westerman Figurative Workshop Slide Show Below

1. Tuesday morning we were treated to slides of various paintings with detailed discussions on what makes a painting work, with emphasis on balance, center of interest, separation of elements, color , shapes, texture, light and movement. It is all about placement and it’s up to the artist to make the best use of the placement of the figure or center of interest, and to look at paintings with a discerning eye about structure and if the painting works or not. One point he made that needs to be repeated “Just because the artist doesn’t like the painting, the collector may want that particular work because of style or subject matter.” After this day, we should all know HOW to make a good painting.

2.We can’t be Norman Rockwell because he died. You paint with your own feelings and emotion and that makes it you. No one can paint like you.

3. Plain is good for backgrounds.

4. He uses masking tape to secure the edges on 140 Hot Press Fabriano paper to give us a demo color sketch study and a painting. He likes Fabriano because it was easy to lift and change a section. For his painting demo, he used a figure ironing a piece of clothing drawn from a model. He liked the model because of she was “zoftig” and no one knew what he was talking about. He asks “Are there no Jews in her?” It seems it’s a good Jewish term for a healthy, plump woman. Some of the participants were more concerned about what the ironing board and iron were?

5. When asked about using fresh paint, his response “You don’t have to worry about anything” and in other words, just paint, get something down. And he kept reminding us, we can do anything we want. The artist is in control and can move and change anything they want.

6. Watch out for mid tones against mid tones as it doesn’t say much.

7. There was much discussion on “killing this figure” and that referred to making one figure less dominant and let one be the center of interest. “Kill one to make one live” was frequently heard during our critique.

It has been good day learning about what makes a good painting. He was very gracious to visit each table while we were working on our color sketch, often sitting down with a brush and showing us what he’d do. He’d asked previously if anyone minded if he paints on any of our work. There was a lot of good natured repartee during this time of color sketches and the following critique. Arne is a treasure, full of information and knows how to fix our mess ups. His book was one of the first painting books I purchased and I can recommend it for its useful information. You can read about it from the Amazon widget on the side of my blog or Arne has the books for sale on his web site. The slide show will be short as we were rushed after the critique to clear the room for a meeting. More slides on Thursday. Wednesday morning we’ll learn how to transfer our thumbnails or color sketch and in the afternoon we’ll have a model to draw and paint from. Wednesday evening Arne will give the program for SWS showing the slides of his work.

Mouse over to see slide captions.

Other blogs where I post:


Eat Well ~ Paint Your Food ~ Laugh Often

(All of the captions where I used Name..Thumbnail...most should have been Name..Color Sketch will change later)

1 comment:

Margie Whittington said...

Thanks again Nancy for another report on your workshop.
I like what he says about an artist is control and can do or change anything he wants. Another thing I liked was that no one else paints like you. So paint just put it down.