Janet Rogers Workshop ~ Art Journal Pages

This is the portrait I painted in the Janet Rogers workshop. I think the color could be better but I enjoyed the experience, meeting Janet and some new friends. It was held out in the country, quiet and secluded, with animals nearby. Russell Farm Art Center is in Burleson, located on a Texas Century Farm, and it's an organization of working artists dedicated to fine art, with an emphasis on wood sculpture. (Check Janet and Steve's website to find out about their workshop in Italy in 2009.) I took a SWA workshop with Steve Rogers last October. The painting was from a photo on Port Bolivar and now Port Bolivar has been nearly destroyed by Ike. There are other posts about the workshop.

Art Journal Pages:

I'm still on the "stuff organization", trying to get on friendly terms with my computer, and painted my Joe T's square for a CBC project. Other CBC members there were Betty, Cindy Y and Maryann.The workshop was for 3 days and we did a floral first and then the portrait. I drew off the beach scene but didn't get around to painting it as Janet kept us jumping. We had to laugh at her because she moved so much it was really difficult to get a good photo of her unless we just said "Stop. We need a photo." She was an excellent instructor and walked the room answering questions when it came time for us to paint - always an endearing quality in an instructor.

This is my Janet portrait in my Cason All Media Sketchbook. This week I've gone over my notes and have included some Janet "sayings". Practice your color swatches, why did I do that, I love Bounty paper towels, (which she held onto like a security blanket, under her arm), make puddles, make color changes, don't count flower petals, I believe in swatches, adjust water from the puddle edge, try things, don't be boring, "smoosch" your edges and from US, "Why do you paint with one eye closed?" She reminds us to draw, draw, draw and we love her drawings and especially the drawings and paintings of big, pouty lips.

Here is a slide show of some images taken during the 3 day workshop. Janet knows her medium and can explain it now for practice, and more practice.

Lady Emma ~ Boat Watercolor Painting ~ Port Bolivar, Texas ~ Art Blog

$150.00 unframed
15 x 22 watercolor painting on 300 lb. paper
(It would fit into a matt and standard frame 22x28)
Lady Emma was painted this past week in the Steve Rogers Workshop given by SWA in Fort Worth. The photo was taken during a trip with some CBC members to the Port Bolivar, Galveston area. Older posts will show some slides from other students and some of Steve's work.
I rented an interesting art movie yesterday and watched it last night.
Carla O’Connor mentioned a foreign film, Camille Claudel, about the sculptor, Rodin, and his passionate obsession with art – and with Camille. It is a historically accurate depiction of one of the most important collaborations in the history of modern art. It was a little hard to find but the Hollywood Video on Cooper St. had a copy, for my local readers. It has captions and runs 2 hours and 39 minutes and came out in 1989. I enjoyed the movie but I didn't enjoy reading the captions because you can't multi-task with your eyes glued to the TV. I belong to a collaborative group of 11 local artists, Canvas by Canvas and we are interested in collaborations.
I find this web site is a good place to research movies and plot summaries at the Internet Movie Database. This is where I always get into trouble and it happens at Amazon all the time with the recommendations…If you like this book, movie, then you might like this one… spend more time and money.
I see they recommend Frida and I loved Frida - the movie, her way of dressing, and the paintings. When I was in Puerto Vallarta for a workshop, I bought a beach wrap/sarong/shawl with her huge picture in the center and I do wear it.
Caution: These are not family movies with small children - adult children OK.
This interesting article about the secrets of Mona Lisa was on my Yahoo home page this morning. I know a lot of artists out there who would never want their paintings inspected that closely to really see how many layers it took to reach the final stage. This is not the case with watercolor. In watercolor you usually have to get it right the first time or start over. If you want to read about taking risks with watercolor and pushing the medium to its limits, check out the book, Taking Risks with Watercolour, on my Amazon link. I recommend it if you're ready to move up to the intermediate level. Every page is filled with exciting, colorful examples of Shirley Trevena's work.
Other blogs where I post:
· http://artistfoodnetwork.blogspot.com/
· http://canvasbycanvas.blogspot.com/
· http://myspace.com/nancystandlee
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· Eat Well ~ Paint Your Food ~ Laugh Often